These drawings treat the pedestal as the subject.
A pedestal is supposed to be invisible, but an empty pedestal feels oddly intense. I build each one with depth, then flatten and destabilize it with graphic shapes and small distortions. The space sits between “solid” and “falling apart.”
When objects show up, they’re barely supported and emotionally unclear on purpose. The drawings are about that impulse to elevate something, even when you can’t fully explain why.